©Tristram Kenton©Tristram Kenton©Orpheas Emirzas

DANCE/PERFORMANCE — Troubled but tough, unloved but unbowed, Maggie the Cat is the captivating focus of Tennessee Williams’ Cat on a Hot Tin Roof. Now, acclaimed American choreographer Trajal Harrell places Maggie centre stage in his magnetic new dance work, a dazzling and provocative fusion of high art and pop culture.

Set to a soundtrack ranging from electro and pop to classical music, Maggie the Cat addresses power, gender, rejection and inclusion through the prism of one of modern theatre’s most celebrated characters. Influenced by everything from ancient Greek theatre to the Harlem voguing underground, it’s challenging, tragic, entertaining – and ultimately joyous.

Part one of a trilogy inspired by women who had to navigate treacherous waters to gain or retain their power, Maggie the Cat is a brilliant new work from one of contemporary dance’s most inspired and inspiring artists.

 

 

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CREDITS
Direction, Choreography, Costume Design & Sound Design: Trajal Harrell
Set Design: Erik Flatmo & Trajal Harrell
Lighting Design: Stéfane Perraud
Dramaturgy: Katinka Deecke

Produced by: Manchester International Festival.

Maggie the Cat forms one part of a trilogy, Porca Miseria, commissioned by Manchester International Festival, Schauspielhaus Zürich, ONASSIS STEGI, Kampnagel (Hamburg), Holland Festival, the Barbican and Dance Umbrella, NYU Skirball, Berliner Festspiele and The Arts Centre at NYU Abu Dhabi.